The archives of the London Magazine are held, along with so many other amazing archives, at the Ransom Center at the University of Texas at Austin. Sylvia Plath had her poems, stories and other prose published in the London Magazine from June 1958 ("Spinster" and "Black Rook in Rainy Weather") through January 1963 ("The Applicant" and "Stopped Dead") in her lifetime and also made appearances after her death, from April 1963 and beyond. Plath dealt with a few people on the staff of the magazine over the years, including John Lehmann, Charles Osborne, and Alan Ross.
In addition to what was found at the University of Texas, I would be remiss if I did not mention that the Mortimer Rare Book Room of Smith College has photocopies of a number of Plath's letters to Lehmann and Osborne. These are contained in the Edward Butscher papers. Presumably the originals of these letters are with the London Magazine records in Texas, but as I have seen the material at Smith, I will discuss what I saw there. Also, Plath's own copy of the January 1963 London Magazine that printed "The Applicant" and "Stopped Dead" is held by Emory University (the catalog record from Emory reads: "Manuscript, Archives, and Rare Book Library Hughes copy of n.s. vol. 2, no. 10 (Jan. 1963) has autograph: Sylvia Plath- 23 Fitzroy Road- London NW1; is mutilated, with Plath's poems sliced out; from the library of Ted Hughes." Mutilated, for what it is worth, is a gross overstatement. Yes, the issue has been cut, but the cutting, or mutilation, was done by Plath removing her poems from the issue for her publications scrapbook (in fact, the pages on which her poems appeared from this issue are held by Smith College).
please see this blog post from 15 July 2012
The two letters from Plath to Alan Ross are dated 2 April 1961 and 9 November 1961. They are both quite brief. In the April letter, sent on a little postcard, Plath simply states that neither she nor Hughes will be able to make a publication day event. She wishes Ross and the magazine well. In November, Plath states that she and Hughes hope to have a submission for the forthcoming poetry number -- this could be when she was preparing "Context". These letters were sent to Ross at the London Magazine's address at the Doric House, 22 Charing Cross Road (map).
As regards the other London Magazine materials, copies of which can be read at Smith College's Mortimer Rare Book Room, there are six letters to John Lehmann: 6 October 1955; 26 February 1957; 24 December 1958; and 16 June, 1 September, and 12 November 1959; and three letters to Charles Osborne from 16 May and 4 September 1961, and 9 January 1963.
The letters to Lehmann are largely business related cover letters accompany poems. Here is a rundown of those letters:
On 6 October 1955, Plath introduces herself as an American Fulbright student at Cambridge and submits, among other poems, "Ice Age" and "Danse Macabre."
On 26 February 1957, Plath submits "Spinster" and "Black Rook in Rainy Weather" and other poems. The two named poems there appeared in the June 1958 issue of London Magazine.
On 24 December 1958, Plath expressed delight at the acceptance of three poems: "Lorelei," "The Disquieting Muses," and "Snakecharmer", which appeared in the March 1959 number. She asks Lehmann to accept and make a change to "Lorelei" - removing a line of French and replacing it with its English translation - which will not affect the syllabic verse she employed. The line in English is "Drunkenness of the great depths." In this letter she describes Beacon Hill and their life in Boston. She mentions Hughes working on stories, and herself working on stories and poems.
On 1 September 1959, Plath submits three stories: "The Wishing Box", "The Shadow", and "This Earth Our Hospital". London Magazine published "This Earth Our Hospital" under the title "The Daughters of Blossom Street" in May 1960.
On 12 November 1959, Plath accepts a title change on her story, thinking that the initial title was pompous and not quite right. The change to "The Daughters of Blossom Street", she feels, puts the focus on the secretaries in the hospital and the role they play in light of the fact that death is ever-present in their lives. She mentions that Hughes recently sent two stories, "The Rain Horse" and "Sunday" for their consideration.
The letters to Osborne are short and sweet. On 16 May 1961 Plath is returning something (unstated) that her baby Frieda Hughes had found in their flat after a visit from Osborne; the 4 September 1961 letter is a late RSVP to a missed event in the recent past: the lateness due to the move she and Ted Hughes just completed to Court Green. She mentions hoping to be there forever and to live on apples and potatoes. The letter from 9 January 1963 submits poems and asks Osborne to stop by her cold, Dickensian flat if he is not afraid of children. In a postscript, Plath mentions that "Berck-Plage" was read on the BBC but that it had not been published. Osborne replied several days later stating that he was not afraid of children (letter held by Smith College). Using her submissions list, we can see that according to her she submitted twelve of her new poems on 17 January 1963. There is a discrepancy here (letter written 9 January, submissions list dated 17 January), but nevertheless the poems she submitted in January 1963 were "An Appearance," "The Bee Meeting," "Years," "The Fearful," "Mary's Song," "Stings," "Letter in November," "The Couriers," "The Night Dances," "Gulliver," "Cut," and "Berck-Plage." Plath annotated the submissions list on 25 January in red pencil, indicating that several of the poems had been accepted (a red underline). The poems she underlined have been underlined by me just above. 17 January might have been the date she received a decision, or when she was catching up with her submissions. Speculation, only.
Thanks are due to Emily Roehl and Marian Oman for their patience in dealing with me and my insane requests.
You can see more libraries that hold Plath materials on the Archival Materials page of my website for Sylvia Plath, A celebration, this is.
All links accessed 21 September 2013.
Publications & Acknowledgements
- BBC Four.A Poet's Guide to Britain: Sylvia Plath. London: BBC Four, 2009. (Acknowledged in)
- Biography: Sylvia Plath. New York: A & E Television Networks, 2005. (Photographs used)
- Connell, Elaine. Sylvia Plath: Killing the angel in the house. 2d ed. Hebden Bridge: Pennine Pens, 1998. (Acknowledged in)
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives." Plath Profiles 2. Summer 2009: 183-208.
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives, Redux." Plath Profiles 3. Summer 2010: 232-246.
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 3." Plath Profiles 4. Summer 2011: 119-138.
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 4: Looking for New England." Plath Profiles 5. Summer 2012: 11-56.
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 5: Reanimating the Past." Plath Profiles 6. Summer 2013: 27-62.
- Death Be Not Proud: The Graves of Poets. New York: Poets.org. (Photographs used)
- Doel, Irralie, Lena Friesen and Peter K. Steinberg. "An Unacknowledged Publication by Sylvia Plath." Notes & Queries 56:3. September 2009: 428-430.
- Elements of Literature, Third Course. Austin, Tex. : Holt, Rinehart and Winston, 2009. (Photograph used)
- Helle, Anita. "Lessons from the Archive: Sylvia Plath and the Politics of Memory". Feminist Studies 31:3. Fall 2005: 631-652.. (Acknowledged in)
- Helle, Anita Plath. The Unraveling Archive: Essays on Sylvia Plath. Ann Arbor: University of Michigan Press, 2007. (Photographs used, acknowledged in)
- Holden, Constance. "Sad Poets' Society." Science Magazine. 27 July 2008. (Photograph used)
- Making Trouble: Three Generations of Funny Jewish Women, Motion Picture. Directed by Rachel Talbot. Brookline (Mass.): Jewish Women's Archive, 2007. (Photograph used)
- Plath, Sylvia, and Karen V. Kukil. 2000. The Unabridged Journals of Sylvia Plath, 1950-1962. New York: Anchor Books. (Acknowledged in)
- Gill, Jo. "Sylvia Plath in the South West." University of Exeter Centre for South West Writing, 2008. (Photograph used)
- Reiff, Raychel Haugrud. Sylvia Plath: The Bell Jar and Poems (Writers and Their Works). Marshall Cavendish Children's Books, 2008.. (Images provided)
- Plath, Sylvia. Glassklokken. Oslo: De norske Bokklubbene, 2004. (Photograph used on cover)
- Steinberg, Peter K. Sylvia Plath (Great Writers). Philadelphia: Chelsea House Publishers, 2004.
- Steinberg, Peter K. "'I Should Be Loving This': Sylvia Plath's 'The Perfect Place' and The Bell Jar." Plath Profiles 1. Summer 2008: 253-262.
- Steinberg, Peter K. "'They Had to Call and Call': The Search for Sylvia Plath." Plath Profiles 3. Summer 2010: 106-132.
- Steinberg, Peter K. "Sylvia Plath." The Spoken Word: Sylvia Plath. London: British Library, 2010.
- Steinberg, Peter K. "This is a Celebration: A Festschrift for The Unabridged Journals of Sylvia Plath." Plath Profiles 3 Supplement. Fall 2010: 3-14.
- Steinberg, Peter K. "Proof of Plath." Fine Books & Collections 9:2. Spring 2011: 11-12.
- Steinberg, Peter K. "A Perfectly Beautiful Time: Sylvia Plath at Camp Helen Storrow." Plath Profiles 4. Summer 2011: 149-166.
- Steinberg, Peter K. "Textual Variations in The Bell Jar Publications." Plath Profiles 5. Summer 2012.
- "Banking on his passion for Plath" by Melissa Davis Haller. UMW Today. Spring 2005.
- "Sylvia Plath's Three Women to be staged in London" by Alison Flood. The Guardian. 3 December 2008.
- "FBI files on Sylvia Plath's father shed new light on poet" by Dalya Alberge. The Guardian. 17 August 2012.
- "There Are Almost No Obituaries for Sylvia Plath" by Ashley Fetters. The Atlantic. 11 February 2013.